At a time when artificial intelligence advances a visual culture of perfected bodies and seamless precision, Artifishal’s Not Saints, the fifth of his art collections inscribed on Bitcoin, marks a decisive divergence. Conceived as a creation myth articulated across seven books and 133 works, it draws on the visual grammars of classical painting, sacred iconography, and epic cinema, only to quietly dismantle their assurances. What defines Artifishal’s inimitable style is his instinct for contradiction: figures hover between coherence and collapse, ancient and futuristic, remembered and imagined. He allows these tensions to structure the emotional architecture of the work. As a result, distortions, hesitations, and unstable anatomies—often dismissed as technical errors—become central, presenting imperfection not as something to repair but as the essential condition through which the contemporary image becomes truly human.